Fender Player Plus Meteora HH Electric Guitar Review - Premier Guitar

2022-09-05 02:43:58 By : Ms. Loy Liu

A modern take on Fullerton shapes and a blend of Fender and Gibson attributes strikes a sweet middle ground.

A stylish alternative to classic Fender profiles that delivers sonic versatility. Great playability.

Split-coil sounds are a little on the thin side. Be sure to place it on the stand carefully!

Fender Player Plus Meteora HH fender.com

After many decades of sticking with flagship body shapes, Fender spent the last several years getting more playful via their Parallel Universe collection. The Meteora, however, is one of the more significant departures from those vintage profiles. The offset, more-angular profile was created by Fender designer Josh Hurst and first saw light of day as part of the Parallel Universe Collection in 2018. Since then, it has headed in both upscale and affordable directions within the Fender lineup—reaching the heights of master-built Custom Shop quality in the hands of Ron Thorn, and now in this much more egalitarian guise as the Player Plus Meteora HH.

Body profile and humbuckers aside, the Meteora is very much a Fender, with a bolt-on neck, 25.5" scale length, and that iconic headstock profile with spaghetti logo. Even closer examination reveals an impressive array of features that make it an extra-impressive instrument for the price, and a cool alternative to traditional Fender offerings.

The Mexico-built Player Plus Meteora HH comes in three finishes—cosmic jade, Belair blue, or silverburst (as seen on our review sample)—all of which help the guitar cut a dashing figure on stage.The body is made from solid alder, a go-to Fender tonewood since the late ’50s. Lightweight stocks of this timber have been getting harder to come by in bulk, and perhaps as a result the review guitar tips a little toward the heavy side at around 8.4 pounds. Then again, the Meteora’s body is bigger than, say, a Stratocaster, which adds a bit to the weight. Forearm and ribcage contours enhance playing comfort significantly, and the guitar balances surprisingly well on the lap (almost certainly one of Hurst’s design mandates). The sharply sloped lower bout, however, makes it tricky to lean against an amp safely. Keep that in mind before you turn your back on it.

The neck is fashioned from a single piece of maple and 22 medium-jumbo frets are arrayed across the 12" radius fretboard, which measures 1.685" at the synthetic-bone nut (Belair blue and cosmic jade versions feature a pau ferro fretboard). The neck is carved in Fender’s popular “Modern C” profile, which feels great in hand, and the overall ergonomics are aided by a nicely rolled fretboard edge. The single-action truss rod can be adjusted at the headstock, which is home to Fender’s deluxe sealed locking tuners and a modern roller string tree for the first and second strings—all of which means you can use the two-post synchronized tremolo with a little more peace of mind. The return-to-pitch capabilities are impressive.

Though the fresh body profile may be the initial draw for many, the electronics—and the possibilities they enable—will probably seal the deal for a lot of prospective customers. They certainly make the guitar a lot of fun to explore. The relatively new Fireball humbuckers look a lot like smaller Fender Wide Range pickups. Under the covers, though, they are pretty standard PAF-style humbuckers, with adjustable pole pieces in all six positions of each coil, though half of these are inaccessible with the cover on.

And while the name implies that the Fireballs are hot, the specs are similar to medium-wind alnico humbuckers, with the neck reading around 7.24k ohms DC resistance and 4.0 henries inductance, and the bridge measuring 7.68k ohms and 4.5 henries. The pickups are wired through a 3-way toggle switch on the upper horn, with a master volume and dedicated tone controls for each pickup below. The volume knob also functions as a push-button switch to split the coils of both pickups.

Tested through a Friedman Dirty Shirley Mini and 2x12, a tweed Deluxe-style 1x12 combo, and a Neural DSP Quad Cortex into the studio monitors, the Player Plus Meteora HH reveals a fairly traditional and even vintage-leaning sonic range that contrasts with its moon-shot looks. The not-too-hot humbuckers sound clear and open and generate relatively little amp breakup at modest volumes, which I’d say is a good thing, as it enables a wider range of touch sensitivity than high-gain humbuckers usually allow.

This pickup recipe makes the Meteora a world’s-your-oyster kind of performer. With a cranked amp, lead channel, or overdrive (in this case a Tsakalis Six and Wampler Tumnus Deluxe), the Meteora produces sizzling power-chord and rhythm sounds and singing lead tones with ease, with rich, articulate cleans at the ready when I backed the guitar volume down. It’s hard to gauge how much effect the maple neck and alder body have on the humbucker voicings. But expect the Meteora to sound better balanced and crisper compared with the average PAF-equipped instrument. There’s very little mud and the coil-split tones are nice and jangly—although, as with many split humbuckers, they’re a little on the thin side without a booster or compressor engaged. Still, they do the trick, and add another useful arrow to the Meteora HH’s already packed quiver.

Players in love with unconventional looks who enjoy a twist on traditional PAF-style sounds will find a lot to like in the Player Plus Meteora HH. The guitar packs a wide range of clean-to-mean tones, offers easy playability, and is made super versatile by tone controls and coil-splitting options that dramatically expand its tone palette. Dual humbuckers mated to a 25.5" scale is always a cool proposition, and the Meteora’s marriage of Fender and Gibson attributes is a great way to split the difference.

Jackson Audio and Silvertone introduce an exact recreation of the legendary Twin Twelve amplifier in pedal form.

In 1963, history was made with the release of the Silvertone Twin Twelve Amplifier. Originally listed in the sears catalog as the 1484, the Twin Twelve was offered from 1963 to 1967 and became the most coveted of all the Silvertone amplifiers. The unique sound of this amplifier proudly powers the tones of many of today’s best rock icons such as Jack White, Dave Grohl, Beck, Billie Joe Armstrong (Green Day), Dan Auerbach (The Black Keys) and many more.

An exact recreation of the legendary Twin Twelve amplifier, the 1484 Twin Twelve Pedal can be used as a studio-grade preamp, booster, EQ or overdrive depending on how the controls are set.

MSRP: $249.00. For more information, please visit jackson.audio.

Hendroff is known for playing flashy Gretsch Penguins throughout his career and for this signature guitar, the brand leveraged the same vibrant aesthetic while building a foundation tailored for the traveling musician.

Today Gretsch guitars and guitarist, songwriter, and producer Nigel Hendroff released the G6134TFM-NH Nigel Hendroff Signature Penguin. Hendroff is known for playing flashy Gretsch Penguins throughout his career and for this signature guitar, the brand leveraged the same vibrant aesthetic while building a foundation tailored for the traveling musician. It’s a guitar with an understated elegance that players won’t be afraid to take on the road.

Hendroff was extremely involved in the design, opting for a model that felt old, comfortable, and easy, like a worn glove. The result was simplified controls, a semi-gloss neck, and Broad’Tron pickups that produce a larger sound with more punch and power.

The Penguin’s single-cutaway chambered mahogany body with flame maple top captures the harmonic richness and resonance of the top and body for a livelier, more articulate tone. Designed by the famed Tim Shaw, the highly versatile BT65 Broad’Tron pickups meticulously capture the guitar’s sonic palette and reproduce the perfect mixture of wall-shaking power and full-spectrum fidelity.

Mojotone is proud to welcome the all new 'Anthem Series' into their famed line of Mojotone branded loudspeakers. With the intention of complementing vintage American-voiced amps, Mojotone's Anthem Series Speakers were purpose-built to optimize their overall power and functionality without compromising their finely-tuned classic American-voiced tone.

Available in 12", 10", and 8" versions, each speaker basket is paired with the perfect paper, voice coil, and magnet counterpart. Straight-seamed ribbed cones, were chosen for their superior performance and unmatched tone, and top-shelf voice coils and magnets have been carefully paired to each of their respective speaker cone sizes.

Additionally, Mojotone's Anthem Series Speakers will be included with many of their Amplifier Kits to help better the overall sound and functionality of each amp kit.